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These two novellas, MORPHO EUGENIA and THE CONJUGIAL ANGEL, are set in the mid-nineteenth century, weaving fact and fiction, reality and romance. MORPHO EUGENIA is a lively Gothic fable of the Earthly Paradise, of the Victorian obsession with Darwinian theories of breeding and sexuality and the parallels between insect and human society. THE CONJUGIAL ANGEL, a philosophical ghost-story conce
s Tennyson’s IN MEMORIAM, published in 1850, mou
ing the death of his friend Arthur Hallam.

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